Monday, 25 May 2009

Silent Enemy

DVD, Enterprise S1 (Silent Enemy)

One side is a story that points out that not all first contacts are friendly ones, and some aliens don't wish to talk. Whether they found Enterprise a threat to their space or were simply violent aggressors, they cause some concern, and show up more teething problems for the ship, this time in the weaponry department.

The other side to the episode is Hoshi's mission from Archer to track down Reed's favourite food. In the research we get to see his parents, his Father clearly unhappy with his son's choice of career, and a fascinating insight that the British Navy still serves. A shame we never got to meet them again. And we see his best friend who looks like he's serving on some Starfleet ship with some kind of insignia, so there must be others that aren't starships like NX-01, since we know this is the first proper starship and the next one doesn't come along for a while. There are references to Jupiter Station again (I think it's seen in Voyager's 'Lifeline').

The aliens are weird, though humanoid, and the ship looks flashy, but that we don't learn anything about them makes the episode feel a little unfinished. If it weren't for the character moments, like Reed and Trip working together, and the spooky attack, it would have come across as a bit of a flat episode. The two stories are at odds with each other, with some humour in moments followed by moody alien attacks, but it leaves a smile on your face at the end, and that's what matters.

***

Lawrence of Arabia

TV, Lawrence of Arabia (film, 1962)

Maybe it was the poor quality Channel 5 picture, or the length with all those adverts, but I didn't really warm to this film. I know it's a famous and well-regarded work, and the music is very strong, and the subject matter did keep my interest, plus the artistic shots of desert and camels, and the sheer scale of the thing bring home the reality and scope of this true story. But I could imagine it being edited down a bit these days.

I felt it was more complex than I could take for a Sunday afternoon with many large and small changes happening. I think knowing the context better would have helped me to enjoy it more. I sound like I'm apologising for not liking a famous film, but it's not true, because I did like it, and mentally understood its worth. It just didn't grab me. Even though it was the 1988 remastered version!

**

Ex Post Facto

DVD, Voyager S1 (Ex Post Facto)

It is derivative, but that's the point. It evokes Sherlock Holmes with Tuvok as the detective, and Poirot with all the participants gathered in one room for the revelation. All the characters feature, some a lot less than others. For example, Torres is only very briefly in it (and I thought it was Carey talking to her and that we would flip to engineering to see him at the other end of the conversation, but not so), Kes and the Doc also (but at least we get more name-choosing follow-up to last episode. Funny when he posits Spock as a name he is familiar with. Wouldn't quite work...). Chakotay only gets to do a Maquis maneouvre that doesn't come across all that visually resplendent - the minor battles in this episode are okay, but more like skirmishes compared with proper DS9 ship combat!

At least Janeway shows her mettle again, as soon as she puts her hands on her hips those Numiri better watch out! Neelix gets to be funny again, and Kim gets a different role. But it's really Paris, and more, Tuvok's episode. Paris is still a bit loose that you can almost imagine he could commit the murder, when taking into account possible drugs in the tea. The flashbacks in black and white work well (though not as well as 'Smallville' Season Two episode 'Suspect'), and the solution with the dog is nicely worked, especially when Tuvok gets the suspect to bring in the last witness and it turns out to be the dog, that little ratty thing!

I always remembered the bit about Paris' height, but I'd forgotten how the dog featured. The scene-setting and sets give some good atmosphere, particularly the moments of pastiche, like the heavy rain, or femme fatale smoking (and we had smellovision as someone was smoking outside the window as we watched!), but the scenes are not as evocative as DS9's 'Necessary Evil' or as harsh as 'Hard Time'. Not as good as the previous episodes, but still worthy of a 'good one' tag.

***

The Enterprise Incident

DVD, Star Trek S3 (The Enterprise Incident)

I have mixed feelings on this one. I like the idea of the elaborate deception to get aboard and nick a cloaking device. I love having Kirk be the first in a long line of Starfleeters to 'go alien'. And I love Chapel's reaction on finding Kirk is alive. I like seeing more Romulans, and is that the first appearance of the blue Romulan Ale? I like to see the bridge crew laughing together, and Scotty's desperate attempts to get the cloaking device working.

But I also find the episode very slow. And the Romulan Commander is a bit of a dolt not to guess that Spock would have more than a passing allegiance to the Federation and his Captain. It makes her look very weak and stupid. But it's clear she's not, being in charge of a starship. I also miss the original Bird of Prey, as it seems like they're just trying to save money by reusing the Klingon ship. Surely they would still have had the earlier Romulan ship available?

It's an episode that is a collection of interesting pieces rather than a satisfying story. About the sum of its parts, rather than more. And I wish they'd made it clearer that the Federation wanted to study the cloaking device rather than reproduce it to use in their ships, because you can't imagine them using the device most of the time.

I guessed as soon as Kirk decided to nip into the Neutral Zone that it was all an act, an elaborate ploy of some kind. Still it would have been interesting to have them defy Starfleet orders because Kirk was in a bad mood! At least Mr. Leslie gets another mention by name. It's not that I don't like the episode, I just found it interesting to watch rather than engrossing, and the weakest of the four we've seen this season.

**

Tears of The Prophets

DVD, DS9 S6 (Tears of The Prophets)

I can't come out of this episode and say it was enjoyable. It's a hard thing to admit. Because it's one of the most important episodes of the season. But one of my favourite Star Trek characters dies. Almost senselessly. She's in the way. A Pah-wraith in Dukat's body unleashes fire on her. Dukat didn't even want to harm her. And just as she discovered that a baby would be possible. And the Wormhole is seemingly annihilated. And Sisko is confused. The ending is much like the end of Season Five, except without the optimistic intent to return and the clear purpose of the retaking of the station. Questions are not even clear, let alone answers. Nothing is certain.

Most of the episode is a classic Trek, and certainly classic DS9, battle. With Martok there you know the Dominion will be in for a rough ride, but it's something else to see the Romulans pitching in as allies, all working to take Chin'toka. Garak's aboard too, as is Nog at helm. The shock comes when the Jem'Hadar make suicide runs on the Klingon fleet, tearing through many of them in a desperate delaying tactic. The incredible shots of ships left, right, and centre engaged in fierce battle is some of the best CGI of the series, and the solution to the weapons platforms is typical Starfleet engineering brains at work!

I like the way Kira quickly takes over from the bewildered Sisko after he feels the Prophets, switching into command mode immediately. The scenes with her and Odo, as he tries to understand that an argument is not the end of the world are fun! And we get Vic again, singing for the depressed Quark and Bashir as they realise Worf and Dax will stay married for sure. Vic is great value as ever, and sings 'Here's To The Losers' brilliantly!

A conflict between duty to the Federation and duty to the Prophets takes it's toll on Sisko, and he has to put up with a member of his family on the Defiant as he goes into battle, like the previous episode. Not to mention the beginning of the episode where he is awarded with the Cristopher Pike Medal for Valour!

But the most important thing is Jadzia, her smiling face, saying goodbye to her friends for the last time, Worf's soul-clenching mourning cry and Sisko's sad words over her coffin. She was the best female character in the whole of Star Trek: witty, fun, always out to have a play, but caring about those around her too. She lit up the dark corridors of Deep Space Nine, but had a warrior's skill too. She was curious, clever and dedicated. She would be first with the irreverent observation, and didn't hesitate to tell it as it was. And she made sure everyone had fun. If there was one word that summed her up it would be that.

And where now for DS9? To lose so much, and yet keep on the path. To see all crash and burn. To have the way darkened, and few lights to point the way. But a change must come, a tide must turn, and evil will be challenged. War must take its course, and victor must rise. But first comes the search, the knowledge and the decision. And there will be a new season, a time to stand, a time to reach for the conclusion. And that... is Season Seven.

****

The Paradise Syndrome

DVD, Star Trek S3 (The Paradise Syndrome)

Very strange to see an episode start with an idyllic view of a pine lake, even if the big three do beam in shortly after! In some ways this is a very impressive episode. You have brilliant sets, mostly from nature, but also the Obelisk is imposing and huge! The production values are up there with the modern series'. We also get another parallel Earth kind of thing, this time with Injuns. Although it's not exactly parallel... and we get an explanation for it, with the Preservers, who had seeded various worlds. McCoy thinks this would account for many of the humanoid aliens that are seen in Trek, and that's as good a theory as any!

The only problems with the episode are that some of the romantic scenes drag, and the visual of the Obelisk's beam pushing the asteroid away looks a bit rubbish, compared with the rest of the effects which feel like the series had turned a corner. The Enterprise in front of the asteroid looks good, as does the other effects such as beams and zaps. Maybe some of the stones used in the stoning didn't behave stonily enough. But the acting of stones has never been reliable.

I believe I've never seen the episode before, though I knew the broad strokes. I didn't know that Miramanee would die, but I guessed. It would have been an idea to let the child survive somehow, and fun to think Kirk had a child on a planet somewhere. It was really good to have Kirk live another life, and the subplot of the Enterprise having to leave was so well tied into the main story. All the characters were in it, although Uhura didn't have any lines. Scotty gets upset at his engines being abused, McCoy pulls medical rank, then Spock disobeys the moment he's out of the room. Even Sulu gets to have his navigation visor whirr into place! And it's so good to see Nurse Chapel beam down to a planet for a change. If only it had been Spock saying she was needed instead of McCoy, it would have made her day.

Salish was an adequate adversary, but I wished he'd tried more murder attempts to keep the pace up a little. As it was, the inevitable fight was really good with Kirk getting to do some tough moves. The solution to getting into the Obelisk was also very satisfying with the sound of the communicator the key. I'm a bit surprised with the quality of the episodes so far in Season Three, as I expected a lot worse. These are pretty much as good as what's gone before, but I don't know how long it can last.

***

Monday, 18 May 2009

Delete

DVD, Smallville S3 (Delete)

This episode is worth watching purely for the fight between Lana and Chloe! I know this is a comic book series, but really they have gone into a new kind of unreality. No one even bats an eyelid at people being taken over by email. And it's really not nice seeing Mrs. Kent get kicked in the face. It feels... very wrong. Lionel isn't in it, Pete barely gets two lines, and you wonder if this was the best they could do with an out of character storyline where everyone tries to kill Chloe.

But then again there is that super fight, Dr. Garner and the Summerholt Institute are back (and a mention of Ryan), and while the episode doesn't live up to it's full potential (I can imagine the paranoia level being upped as Chloe tries to track down the culprit alone - in the end she takes a back seat as Clark and Lex do the leg work), it's a fine episode for this season. Even if awful Adam is in it again. How I wanted Lana to let him walk out the door, but alas, I knew she was going to call after him!

I hadn't watched an episode for a few weeks, so it was a little confusing when a truck that looks like Clark's tries to run down Chloe, an ankle that looks like Clark's gets out of the truck and... it is Clark. I was wondering if I'd forgotten an important plot point. Did he really not like her that much! It was a good idea to start with that, although I couldn't remember why Chloe was at the Daily Planet, and clearing out at that. Of course she refused to work for Lionel any more in a previous episode, so that'll be why. I'm amazed Pete didn't get a turn as a killer, but then again I'm sure he did that before. Hate the fact that Adam's still in it, with his pink, made-up face. Like the mention of Lois Lane, a cousin of Chloe's who's not interested in journalism at all! On balance, it's a good one.

***

Cold Front

DVD, Enterprise S1 (Cold Front)

Of course the annoying thing about this one is that we never find out many of the questions raised here. The Temporal Cold War was an absolutely brilliant concept (oh I know some people moaned about it), that established a link to the future to make up for the certainties we knew about the established future, to give some uncertainty and create suspense. And unlike 'Star Trek XI' it did it without rewiring and rewriting history and changing the entire timeline! As you may have noticed I still haven't got over that little bugbear.

I loved the TCW, because it promised visits to the future, glimpses of things we knew and even things after the 24th century, which really peaked my interest. I remember thinking the first time I saw this how exciting so many of the questions were and that one day, perhaps in seven years time, I'd know who was behind it all, the why, the how. While we did learn more, and I believe Daniels' quarters did come into play again, the TCW was never resolved. Whether it was people complaining, or whether they never had any idea of what they would do with it, or whether they simply got bored, we never had a satisfactory conclusion, and it didn't even make it into the series' finale - a crime since it was as much the series' main arc as Voyager's was getting home, or DS9's was Sisko becoming Emissary. Although you could argue that since the 22nd century is just one of the fronts in the war we may find out about it from other time zones if they ever make another TV series...

I can't help feeling that despite all the gadgets, some clever effects and the opening of the temporal Pandora's Box, this could have been a lot better. The character scenes are fine (Travis sitting in the Captain's chair when Reed leaves him in charge for a few minutes - it's a little bit excruciating, but believeable), or Phlox enjoying other cultures as he always loves to (and quite a thought to think he attended several religious rituals such as Mass at St. Peters, I think it was!), but they aren't really great, getting a handle on the characters.

Likewise the chase through the ship with Archer using the far too cool walky-through-wall device from 900 years in the future, chasing Silik who can weave into the tiniest gap, didn't have a patch of intensity to the chasing Changelings sequences in DS9. So what could have been an absolute classic, the episode only manages half thrusters. But the concepts and broadening of the canopy of Star Trek, some sparkling special effects with the 3D computer, Silik's powers and a much-loved return to the temporal echo chamber from the pilot, plus Daniels' first and presumably last appearance, make this a good episode. And it was nice to hear Jupiter Station mentioned (that's where Dr. Zimmerman, creator of the EMH works in about... ooh, 200 years).

Maybe things like Daniels' inclusion in previous episodes, serving the Captain, or at least being seen, would have been a better sleight of hand. And as I said, when you know many of these things won't be spelled out by series end, the episode means less. But a good directorial debut (I think it was his first) from Tom Paris himself: Robert Duncan McNeill.

***

Eye of The Needle

DVD, Voyager S1 (Eye of The Needle)

This episode shows you don't necessarily need action or violence or innuendo to tell a powerful story. I knew I thought this was a good episode, but I also knew I thought I remembered it was a slow one, and I wasn't sure if it had much impact when you know all the gags about the time travel and his death, etc. But it was a strong episode, maybe stronger than I expected, and perhaps the best, ever so slightly (barring the pilot), than the others so far...

It starts out techy, and you're thinking it'll be all technobabble, and while the wormhole looks pretty, and the idea of contact with the Alpha Quadrant is exciting, it could turn a bit boring. But soon the old heart is being tugged every which way (as they might say in American circles), by hopes raised, hopes faltering, raised again, and finally broken. Then they pick themselves up and carry on. We get to see Janeway as the crew never can (and I don't mean in her nightclothes), as she finds hope, and thinks of home and heart alone in her quarters. Torres too is fleshed out a bit talking to Harry about her parents, and how she has no one back home who will miss her. The first signs of a friendship begin to develop between them, at last following up the way they were forced together to on the Ocampan planet, with B'Elanna reusing her nickname of 'Starfleet' for him.

Tuvok shows some investigative work as he reports on the situation, discovering the major details of the Romulan. And what fun to have a Romulan aboard, and who would ever have thought it, particularly this early in the series. Their episodes tend to be almost always strong, so it's delightful to have a familiar race, especially such a nice, thoughtful person, though being a scientist he was more open to such things. It's more tragic that he died relatively young, for them and him, and since it was such a potent image that in decades time when he was an old man, they could return home and see him again. Time travel doesn't have to be a long time to make an impact, as this shows, even twenty years can be a galaxy of difference.

Chakotay is not used so well again, mostly 'taking the bridge', and Paris doesn't get much either. But apart from Neelix (who doesn't appear at all), there's still an ensemble sense to proceedings. An extra storyline that would have been good for this episode - how would Neelix react to the crew's planned return to the Alpha Quadrant? Kes seemed prepared for it, but maybe Neelix wouldn't have wanted to go and there would have been an interesting reaction there. Perhaps if it had worked out Neelix and Kes would have left Voyager in his shuttle, perhaps taking the Doc with them, or keeping him company on Voyager for a while. A potential C-story that would have worked well I suspect.

The B-story is just as affecting, with Kes once again championing the Doctor's rights, and showing that only she has thought of him as any more than a piece of equipment, even if a very useful piece of equipment. Her caring nature, and persevering, forceful even, attitude makes the Captain take note, and gives the Doc confidence to consider possibilities, even to asking for a name. Perhaps the saddest moment is when Kes tells him the crew may be able to leave the ship and get home, and you realise that he can't go, and would be left adrift and alone. Nice shot of him in his office, from a distance that emphasises this mood. The story is the first glimmer of hope the crew have received, after slowly getting used to their plight, so to have the hope snatched away makes it doubly hard. You can see Janeway finds it very hard. But she continues.

***

Elaan of Troyius

DVD, Star Trek S3 (Elaan of Troyius)

This was one I remembered. And not particularly positively. About some Egyptian-looking woman that they transport, and she causes trouble. It was actually rather entertaining. You get aliens, with the title lady, her bodyguard and the turquoise-skinned Ambassador Petri (I had seen a picture of him before and was disappointed to find he wasn't an Andorian as I expected), who were good guest spots. You get the first proper look at a brilliant Klingon battlecruiser, a space battle (quite good for the series' standards), all the main characters part of the team, including Nurse Chapel (even if she does once again coo about love matters!), and a clever solution in the form of the common crystals the Dohlman wears turning out to be Dilithium.

The biggest question however, is: what happened to the Organians, that powerful race that stopped a war between the Klingons and the Feds? Either something has happened to them so they can no longer prevent violence, or there is a range to their power and the ships are too distant to be affected. (Or option 3, which would be that the writers forgot about all about them, but we won't mention that!). The funny thing is that Kirk and crew expect damage and danger, when they should have expected the Klingons to be unable to follow through with the attack. So maybe this kind of confrontation isn't the first. Previously, and since the Organian Peace Treaty came into effect, the aliens have been subverting planets and causing indirect mischief so it makes an exciting change to find they can literally fight it out again.

It's good to see Mr. Sulu after he missed out on the first episode, although I did notice a couple of mistakes to do with him, Chekov and the viewscreen. At one point we see them, cut away to Kirk, then it's back on their station, but Lieutenant Hadley is in Sulu's chair. Then in another scene Hadley replaces Chekov. For a moment I wondered if he's just left his station, but it cut away and then back and Chekov was back! Then again we know how fast these Starfleet types are in getting out of their seats. If someone is within one metre and heading towards it, they're springing out of it like a jack-in-a-box. Chair etiquette must have been a course at the Academy. They no doubt have knockout party games there, with musical chair champions.

Talking of which, Mr. Leslie has to leap out of his so Elaan can be shoved onto it. She was great fun, and Kirk was even better, standing up to her atrocious behaviour. I liked that part of the episode more than the romance. I thought that was simply a whim the Dohlman had had, or a ploy of some sort, but it seemed she really did come to respect and love him. And it was a story about getting on with people and being courteous, a message of a lot of Trek.

The Klingon ship was design perfection, not easy when so many ships have seemed clunky or plain rubbish next to the good ship Enterprise, but at last we have one to hold it's own in the visuals stakes.The characters are well used, Spock gets to sit in the Captain's chair, but doesn't take over the episode, Scotty is in it more, and even Uhura is glimpsed away from her station (plus: we get to see her quarters!), Sulu and Chekov are resolutely in place, and McCoy gets the occasional scene too. The episode, fittingly, doesn't end with an uproarious laugh, after Kirk is left still in love with Elaan, who accepts her obligations and duty because of him. Spock, for once agrees with McCoy, and they sail on to the next adventure.

***

The Sound of Her Voice

DVD, DS9 S6 (The Sound of Her Voice)

Captain Lisa Cusak: one of the best characters that never was. Okay, so she was, but not when they were talking to her. Another inventive sci-fi tale that plays to the strengths of the series. We get to understand the war situation and what effect it's had on these people, through the charming and open Lisa. They feel like they know her, and it's a shock to find that she died so long ago. The technology doesn't get in the way too much, and like the best Trek's it's the story and the result of it that matter.

It's good to have Kasidy in it, and Jake gets a proper role, this time away from Nog. On the visual side we get some really good stuff with the shuttlepod exiting the Defiant and flying over the planet, and the cave set gets a radical makeover with pouring rain adding huge atmosphere. But the most important, sad, sad scene is the speech O'Brien makes about the war, about change, and about one day losing someone here. The camera is on Dax and Worf as he says this, the writers knowing her time was limited. It would have been good to have her more apparent in the episode, but maybe the power of that scene would have been lost.

The B-story is a different kind of sequence, with Odo finally giving Quark a break, and Quark thinking he's beaten the constable. It's a nice story, and again shows how Odo has changed since Kira 'came along'. And the scene with Morn is a laugh too! Quark is having dealings with a Nausicaan, although we only see him by comlink, and the crystals Quark's trying to sell are Denevan.

There's a sense of the series moving on, as Lisa helped some of them through what they were feeling, and they helped themselves by helping her. That closure is coming feels sure, for some characters closer than others.

****

Time's Orphan

DVD, DS9 S6 (Time's Orphan)

A story about two married couples. One a tragedy for the most part, one a comedy for the most part. And neither takes away from the other. Michelle Krusiec did a fantastic job of creating the older Molly, with body language, expressions and voice that made a big impression (just like Worf made a big impression on Kirayoshi!), and made possible a tale worthy of the series. Everything you could hope for with this situation is played out, with such feeling and reality, despite its bizarreness.

So rare to have an O'Brien family story, yet they pull off such a one, amidst the Dominion War, it truly makes you think the potential is almost limitless with these characters. The B-story of Worf's interaction with the other, baby, O'Brien was as satisfying. Odo's gracious assistance after good old Ensign Jones (Randy James) finds the family trying to take Molly away, is something that seems a progression since being in with Kira.

There are also nice continuity touches with Chester the cat, from 'Honor Among Thieves' back, Keiko visibly disliking it, and Worf mentions he's fought Kelvans twice his size! (They were from TOS episode 'By Any Other Name' a race from outside our galaxy).

*****

The Cloud

DVD, Voyager S1 (The Cloud)

I remembered the odd Indian stuff from this, and the fact the cloud of the title was actually a creature they have to heal with the ship, and I thought it wasn't going to be a good one. The first 'dong' as it were. But actually, though the scenes aren't the most memorable they are really enjoyable character moments. You get Tom and Harry up to some japes, you see inside Janeway's mind as she tries to both remain in control, but also be approachable. Neelix loses his rag, but then his good nature shines through, the Doctor makes every scene he's in a study in sarcasm and world-weariness (and we learn his creator is Dr. Zimmerman of Jupiter Station, and looks a lot like him!). Only Chakotay, a stolid presence on the bridge, backing up the Captain, Kes, her vegetable produce in evidence at last, and Torres and Tuvok to some extent don't get the strong scenes. But they are all a part of the diorama that is the family of Voyager.

Not only is the script witty and thoroughly enjoyable, but the direction is spot-on too. A scene early on has Janeway wondering whether to approach a crewman, staring out of a window, his morose loneliness obvious in his body language. It looks like a painting! And there are other shots which make really strong use of the sets, and provide new angles (Neelix, Janeway, Chakotay, Kes, all sitting in a line on the bridge; a scene shot from behind I think it's Tuvok's console; a closeup of Chakotay's screen as he types into it, with Kim visible beyond him). One of the most significant elements is the introduction of the Holodeck, and Sandrine's, with a fun ending where Janeway gets down with the crew and hustles Paris at his own game. A fitting end. And the tag line she says at the end about a powerful being hopefully looking out for them was almost biblical.

***

Saturday, 9 May 2009

Star Trek

cinema, Star Trek (film, 2009)

It had to be mixed feelings, didn't it? I mean I'm far too involved not to find fault with any new production unless it meets my every expectations. I made sure I had little to no expectations with all the build up to this film, because I expected to be 50-50 on it. Surprisingly I managed to get past a lot of the things you'd expect to be upset about, such as new actors playing familiar characters, or new sets, etc. The beginning was powerful and really made a tragic and involving opening where you care about these people you've never met even in 'proper' Star Trek. The sense of scale and weight and damage that was evoked with the effects was very real, and was exactly how I felt 'Nemesis' should have been like, with the massive Scimitar battle.

Before the film I knew there was a Romulan villain, from the future, and I wondered why they would do that when the last film was reliant on this race and time, and I thought they must be linking this to the last film. Unfortunately they didn't. The early life of some of the characters is well done, if odd to see, but this was a perfect point in Trek history to bring to screen because we know so little. Unfortunately what we do know is gradually eroded until they're practically tearing it all apart! This is actually fine in the historical context because we find it's a different timeline, so they have the right to rip up the rule book and do whatever they well want to, as McCoy might say. But this is definitely aimed at people who know little to nothing of the past, because they so change some things that only non-regular viewers would know or care too much.

It's a business making films, and Trek is a hot property that Paramount has often been accused in recent years of not taking seriously. Well they've taken it seriously now, booted out the old team, the old rules, thrown money into it (and you can see that!), got new ideas and a new timeline... screech to a halt if you care about past Trek. Because what this is saying is that that's all gone now. I was hoping vaguely that there would be a giant red reset button dangling in space like 'red matter' to put some of the things right at least, but no can do. We're here, and we're making Star Trek, so sit back and either enjoy the ride or get off (or bury your snivelling nose in the DVD's!), because this is Star Trek on steroids.

It's primarily an action film, and the early promise of a heart-tugging element is pretty much lost, but the action is certainly active. You get some expert moments never done in the franchise before, such as the orbital skydive (took 15 years for us to see a proper one, but we made it, and they couldn't have done this in 'Generations'), with Sulu getting to make his mark. The purely aesthetic side of me always finds squiggly camerawork annoying, and for once it's crept into Trek, with fights where you feel like you're in amongst the fighters. I prefer to be seeing these stunts perfectly, less realism of what a close view would really be like, and more film magic. So a problem, but that's a directing choice rather than anything too bad.

So what did I not like? The story. The fact the timeline is a new one, but most of all the shocking and unbelievable events, as well as some of the characters doing things that were terrible to a regular viewer but wouldn't mean a thing to anyone else. Uhura and Spock. Kissing. Touching! Vulcans don't like to touch, whatever timeline you're in. The power of Spock as a character, as an alien is lost, even if the Vulcans tend to be more Vulcan than in 'Enterprise'. And Kirk. It's a common misconception that he was a flirty ladies man always out to chase them, because if you look at the evidence (as a superb article in the Star Trek Magazine did), you see that he actually has a much more stable persona than that. But it doesn't matter, it's an alternate timeline. Anything goes. In some ways that's thrillingly liberating to create new ideas and stories. But it's chucking out most of what has happened, and is tough to overcome.

The destruction of Vulcan is another incredibly shocking event, it feels like the new team are putting their heel into your face and telling you this Star Trek is going to be different. The most shocking of all must be that Romulus was destroyed, in the 'proper' timeline, and Spock couldn't prevent it. We come to the things that made this a good film, a good Trek film, beyond the spectacle and scale (the Narada puts the Scimitar to shame!); that Leonard Nimoy is there once again, and probably for all - the real Spock on screen. That's what we want, that's the core reason we can watch this film and not feel cheated out of old history. Spock is there, in the past. I only wish somehow Shatner could have been included too. I sort of expected maybe a cameo or two from other branches, like 'Enterprise', but the thing about 'Admiral' Archer's pet beagle which Scotty had transported and never returned was almost as good! Hilarious (even if it makes no sense since the original dog would be long dead. It could be another dog of course).

The humour was a nice nod back to the original series, the thing with the hands, for example. Perhaps the Orion scene was a bit much for children. And some characters worked better than others. Chekov came across a little acted, perhaps because he was the youngest actor. And Kirk and Spock were sometimes visible as themselves, but other times were wrong. Kirk particularly came across as precocious and a slimy brat - not how we know him as the hard-working gentleman of the Academy, who worked too hard. McCoy was the closest and a really good portrayal from Karl Urban. And Scotty too was a fun, similar version. Uhura was fine, apart from the terrible character-altering stuff with Spock. Majel Barrett-Roddenberry was hard to hear in the computer voice, but I did like the end where the film was dedicated to her and Gene. If the film had come out as originally intended, December 2008, the dedication wouldn't have included her as she died in January 2009.

The musical theme was a strong one, if a bit repetitive, though it was a shame this wasn't at the start: like with 'Nemesis' they got straight into the action. And they did a new version of the old series theme, which was nice. For regulars there were lots of little things to notice, as mentioned above, and McCoy's 'I'm a Doctor, etc' and little things like this. But for me I felt 50-50 in the film. I'm grateful for another film, and I hope it's successful, but it's incredibly sad they feel they have to change the timeline and destroy all that's gone before, and you'd think they could be as inventive in keeping things the same, while being able to tell new stories. So it was an exciting film, a film that stands alone, a good film, a fast, full, meaty film, that lives up to what's gone before. It's just such a shame that it tramples on that to do it. Less standing on the shoulders of giants, than kicking the giant's faces in, smirking evilly and spitting on their grave!

***

Spectre of The Gun

DVD, Star Trek S3 (Spectre of The Gun)

It's immediately apparent that things are the same, but also different. The characters are all there (except Sulu), but, as Eve said, they're fresh and new as if they've just been washed. Maybe as if they've been poured in a mould and pulled out. They are the same people, but the looseness and friendliness has been replaced by more military tone and stiffness. Some look different, but they are still the same people. Likewise the episode itself feels a little stiff. There isn't much humour, the sets are unfinished and the situation is strange. Fortunately the spare sets and the off-kilter acting suits the episode perfectly, as they're supposed to be in an off-balance situation. The Melkotians look impressive, introduced through the mist, the only downside for me of the episode is the voice which is too unthreatening.

Chekov is killed in a fashion not unlike McCoy in 'Shore Leave', and the tension does mount as the inhabitants are no help, Kirk's anger rising to shake the Sheriff about! As the time approaches, unavoidable, they come up with a simple, but clever solution, to use the only tools they have at hand - their minds. We get three mind-melds which must be a record, and the best moment must be the excellent special effect of the Earps firing bullet after bullet, and the brave crew just stand there, and the wood behind them (in front of the camera) gets holes blown out of it! Very clever.

The directing is really good, with effective shots, particularly towards the end with the wind whipping leaves around, and the robot-like Earps coming mercilessly to do their deed. I remembered seeing this one especially, as a child, although I didn't have a clue how they got themselves out of it. I suppose the plot is a bit thin around the aliens, as first they seem xenophobic, and they are impressed that Kirk didn't kill which makes them allow the ship to come into their space. If they had intended to kill them in the first place it would have been easier to get it over with, but I suppose they were either torturing them before death or testing them as was seen by the end.

It was kind of a parallel Earth story, with a different twist, and was an effective first episode (even though we weren't reintroduced to the characters and it starts abruptly). It had elements of the 'Voyager' episode (The Thaw) in which it is the mind which does the damage amid the unreality. A surprisingly strong start to Season Three given the bad reputation it has!

***

Sweet Revenge

DVD, Starsky & Hutch S4 (Sweet Revenge)

Not a disappointment as I wasn’t expecting much. Oddly this last episode is similar to the finales of both 'BUGS' and 'The Champions' with a main character spending most of the time in a hospital bed. Never works all that well. It might have been better to have all the characters involved in some big mission, but it was good the way Dobey and Huggy were more involved, and felt like they knew this was their last hurrah.

Directed by Paul Michael Glaser so you know it's going to have a lot of ponderous camera shots and not much of Starsky. Actually there aren't too many of those shots, and there's a good reason for Starsky's smaller part. Directing was again a bit florid or obvious, but there were some nice touches, and he has learned as a director.

Sometimes I think it might have been better to have him die, to make more impact and an unexpected end, but then I think it wouldn't have been in the style of the series. It didn't usually go out of it's way to be different, and it had a lot of humour, and a sad ending wouldn't have fitted even if it had given greater resonance to the final episode (like in 'Starsky's Lady'). I did wonder if they would actually be brave and kill off Starsky, it being the last and all. I really was unsure... up until the bit in the hospital when the doc says he might pull through. Then you know that it’s not going to be anything 'special'. But it would have been a very sad end.

The scene at the end is purely for those four actors. I think they must have known this was it, and it's so nice to have them all together just 'goofing'. It was the right way to finish the series, and a heartwarming little moment.

The episode proper wasn't too bad, but wasn't that exciting either. I was a bit confused about the villains and the story wasn’t particularly well put together. The attempts on their lives, like the 'Targets' serial could have been more and better. And Starsky and Hutch don't seem to have much to do with bringing down the organisation, it seems to be falling apart on it's own. Good that they brought back the villains from 'Targets' even if they weren't really used all that well over all. The important part is the last scene, and if the rest of the episode had been as enjoyable as that it could have been great.

I suppose that sums up for the series in my eyes. 'Could have been great.' To those in the 70's who saw it then, no doubt it had more impact, and people still love it today, but I find there are probably about 50% of episodes that aren't worth watching, or only show flashes of brilliance. But they weren't trying to change the TV world, only make a successful series. And in terms of the characters and some of the episodes they did succeed, and it is still a good watch today. So, 'Starsky & Hutch' then... It went out as it lived. Not particularly inspiring, not always at it’s best, but likeable and a good watch.

**

Starsky Vs. Hutch

DVD, Starsky & Hutch S4 (Starsky Vs. Hutch)

For an episode that is the second to last of the entire series you'd think they'd have come up with something more original than a crazy soldier guy killing off girls from a dance club. We've had both of those things before, the girls part was in the first episode of the season! And it's not good having the guys angry at each other - sometimes it works; look at 'Gillian', but Arlene was such a slimeball, you could have no sympathy for the mixed up situation she makes.

The episode doesn't live up to the title - it sounds more like the 'The Game', but it's only an unprofessional rivalry over that slimeball lady! And they used Richard Lynch again, after he'd been another villainous loon in Season Three. At least Minnie makes another appearance, but this whole situation is not what you'd hope for in the last proper episode, when you want to see them working together. They don't even work out who the villain is until he exposes himself in front of all of them, as they were so busy moping about that awful woman, who has her morals in a scramble (because one of them's incapacitated in the final story you don't get any more traditional setups).

*

Tuesday, 5 May 2009

The Matrix Revolutions

DVD, The Matrix Revolutions (film, 2003)

The film doesn't have the punchy, brilliant moments that you can pick out and say 'wow, that bit was so good' like the second film, but somehow it's still as good, mainly for the building on the characters and story set up in Reloaded, and for being a mite more understandable, not trying to live up to the first film and not doing obvious conclusions. Oddly, the scenes in the real world are better than in the Matrix, which is a turn of the tables, as Reloaded was the opposite. The first half doesn't have much to really enjoy (apart from the train man running!), and Seraph and the others don't get a really proper awe-inspiring fight (the best was the people on the ceiling), but the second half with the attack on Zion and the bravery of the fighters (especially the young guy, who, despite having seen this several times before I'm never sure if he's going to die - he went from annoying buzz in Reloaded to believable hero and turned into one of the best characters. Even though I can never remember his name!) and the ending which, despite not really explaining much of anything still manages to be beautiful and satisfying (until you start to wonder about loads of things, but we can only hope they do another film sometime).

One thing that is obvious is the gore level which is higher than the other two films and went too far for the story's needs. Bane was a very well acted character that sounded just like Hugo Weaving's Smith, although that's another confusing thing - anything can happen in the Matrix, but it's difficult to connect these things to the real world: Neo was somehow connected to the machines mentally, which was how he could be jacked in without physical means. Likewise Smith had made the move to organic, taking over Bane's mind. The ending implied a virus or some such thing - Smith 'assimilated' the Oracle and she destroyed him, he being fooled by her foresight that he would win, and Neo sacrificing himself so the machines could connect through him and destroy the infection of Smith. It makes more sense if you watch it several times!

Originally Trinity's death and Neo's apparent death (they make it sound like he could return, perhaps the machines can somehow fix him?), seemed stupid and needless, but when you get used to it and accept it, it's really sad and braver than a happy ending, and at least Link and Morpheus get that. It also means so much more when they say goodbye to their friends and you know it's the last time. It's a very different end to the way these films began, and I feel it was a lost opportunity to explore people's everyday lives in the Matrix and suddenly something really weird happens like in the first film. Instead it became a spectacle, trying to outdo itself, and the third film is left to tidy up the pieces and add elements of realism and depth.

They were painted into a corner with the final confrontation because the series has shown that good and bad fight it out (and a round table discussion with Neo negotiating strenuously wouldn't have worked either!). It would have looked completely ridiculous to have Neo fighting thousands of Smith's, but the battle (it's... inevitable) can never live up to the fights of the previous film, and ends up like a child with two action figures smacking them together. The martial arts lose all sense when they can fly around and lump each other into buildings although the dojo-type part inside is good, especially Neo's superb upper roundhouse kick, lower roundhouse kick and then a final upper kick, all done in one fluid motion, with no cutting showing the level of dedication the actor's put into these scenes. I'm not sure how they could have made a satisfying confrontation, maybe with Neo rushing around saving people as Smith destroyed them, but the fight isn't really important, it's the final words between them, with Smith's inability to understand Neo's continued resistance, and his reply that it's because he has a choice.

This may be controversial, but the new Oracle might be even better than the last one, and certainly having an older version made her have even more power and gravitas. It's skimmed over how she changed, but you get an idea, although it's not so clear how she survived at the end, but maybe that was because of the restart of the Matrix.

The story cries out for a sequel and I hope they do one someday. The war is over, but peace is hard to keep going, and there would no doubt be factions (perhaps some in the machine world, and maybe some in the human) that would be against the new state of affairs. The Merovingian (Merv), would have lost his empire, for example, and would not be too happy. The humans would need to be woken up gradually, brought into their future, while the machines would need to find a new power source. These changes and trials would be fascinating to watch unfold. A TV series please...?

***

Monday, 4 May 2009

Phage

DVD, Voyager S1 (Phage)

For an episode that is the first 'horror' type story for the series, there is sure a lot of humour. It's hard to decide whether this could be classed as a Neelix episode or a Doctor one, and so far the series hasn't really focused on one character more than others, it's been a well balanced mix, where two or three get the limelight and everyone else shares in the second banana role. One thing's for sure, both the Doc and Neelix are delightful, and together they lift this episode above the norm. The Doctor gets his meatiest role so far, and Kes shows her kindness once again, tempered with a determined resolve, that is at odds with her diminutive, soft-spoken demeanour, adding some depth to her. She looks almost like a flower, with her beautifully formed petal-like ears and cropped hair framing the elfin face. But for a change we see her as someone in her own right, rather than Neelix' partner. She reassures, takes charge and makes demands, and proves a loyal companion. Her interaction with the Doc, again the only one to treat him as a real person, takes him aback a little and we're beginning to see signs of the strain of responsibility he feels, where before he was merely annoyed at being left on.

The best line must be after Neelix says he's lonely and feels like he's on his own when the Doctor's working in the office. He replies that he is alone, since he's only a hologram, and a very busy one at that! There were a lot of great lines in this one, mostly from those two characters. Neelix shows a range of emotion, from trying to accept his incapacity, insane jealousy against Paris (which began in 'Parallax' when Tom gives up his seat for Kes), intense claustrophobia, and willingness to accept Kes' gift of a lung.

Janeway too gets strong scenes, the best of which is her anger at the Vidiians (who are two very different people - the one a desperate, but guilty sufferer, once a sculptor, the other a hardened man tasked with the other's survival, making him ideal for the job. It shows the variety in the race in just those two, preparing the way for future encounters). Janeway explains angrily that she can't do anything in judgement, unlike their actions, and it is this sparing of their lives that makes one of the aliens wish to help. The Vidiians actually look a bit like 'Lord of The Rings' orcs, but with visible patchwork of alien skins grafted on. There is much more tension seeing them in the dark caverns (where Neelix could have saved himself a lot of trouble if he'd obeyed Chakotay immediately instead of allowing his natural curiosity to take over - he may have studied Away Team protocols, but he needs to learn to follow orders, hard for a survivalist who has worked alone for so many years. If he hadn't been in such a devastating situation I think we might have seen Janeway's first lecture directed at him. She let out her anger on the aliens and he got off lightly (though he's not going to be an Olympic runner now I suspect!).

The only flaw in the episode was the reuse of the circular corridor, however well integrated into the rock wall it was. It's practically identical to the power plant in the previous episode, so a mistake to use it again so soon. Another possible mistake is when the Captain orders three security teams to beam down with her, and we see only Tuvok and another 'redshirt' (gold actually). Perhaps the others were stationed around the area as point. Seska made another, brief appearance in engineering - good to keep recurring characters visible, and Mr. Ayala was not noticeable this time.

Perhaps it's because I've seen the previous two episodes more, but this had the edge on them, providing humour, tension, some horror, good concepts (the mirror cave and phaser bouncing solution which still looks clever today), and fine drama. It says stuff about various things (fear, and shining light on it making it go - the Vidiians aren't pretty, but they become pitiful creatures rather than monsters), with Neelix in particular confronting an uncertain future. Phillips showed his acting stature, with an array of reactions with only the eyes and voice to convey them, yet it's his strongest performance so far. An all around strong episode, that continues the balanced start of this series. A downer episode must surely be coming soon...

***

Targets Without a Badge, part III

DVD, Starsky & Hutch S4 (Targets Without a Badge, part III)

The mayor at the end, in a runaway performance had been in it before as a very un-mayor-like cafe/shop owner, friends with S&H!

There were so many villains running around in this one, it got a bit confusing. I'm not sure why McClellan was killed by Soldier (supposedly so he couldn't blab about his boss, the other white-haired old guy), and I really don't get why Soldier wanted to exchange Allison for one of the guys, apart from to make a tense situation for viewers.

This is more like the second part the last episode should have been, with the story of the girl and her Dad a rather pointless detour, that doesn't come into this part much. It is a bit messy, and you can see why they didn't make any other multi-part stories. A shame in a way, as the two-parters are some of the best episodes. Ultimately the idea didn't work too well, with very undramatic moments such as the duo agreeing to come back on the force, after they are simply asked to. Where's the drama in that? Huggy and Dobey are pretty well used, and there is occasional humour, but we aren't seeing the series at it's best.

**

Himalaya (Bhutan To The Bay of Bengal)

DVD, Himalaya (Bhutan To The Bay of Bengal)

I hesitate to say it felt a little bit of a limp ending, but there was no crisis at the end, which we've come to expect! The scenery as usual was attractive, and this is the main reason this series was better than 'Sahara' - you can't stare at sand all that much and continue to see new beauty and awe. Michael is as engaging as ever, though the journey has taken its toll and we see more sedate moments, and quieter sights than action or excitement. Still, it keeps the interest and there are some good characters to meet, such as the successful Halal butcher. I felt the series came to a quiet, dignified end rather than a fully satisfying conclusion, but the job was done, and the last series I would consider to be good has ended ('New Europe' was never in the same league as this and the earlier docs). It has been a pleasure sharing these journeys with Michael, and I hope he does another, even if he's being carted around in a bath chair. Here's to the Palin journeys!

**